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Here is the same idea in the Key of E. You will go through some trials and errors as you learn the craft of writing a melody. After you spend some time at this, you will probably learn to improvise some great lines. Notice the phrasing again. I’ll use short, sometimes three note phrases, to make a musical statement. Then, I’ll answer it with a parallel phrase or a contrary phrase. If you analyze the structure of the melody, you will find the patterns.